Advertise with us
Read Magazine Self Publish Advertise
Send news Online ads Get Interviewed
EYES INTM Photography: News from the World's Innovative Creators & Their Masterpieces | Thursday, July 24, 2014
Sign up for our Newsletter!

All newsletter emails are double opt in, you must confirm your email or make a purchase to receive news from us, if you want to be removed from our mailing list please click the "unsubscribe" button on the email you received. (privacy policy)
Sign up for the Photography Newsletter



All newsletter emails are double opt in, you must confirm your email or make a purchase to receive news from us, if you want to be removed from our mailing list please click the "unsubscribe" button on the email you received. (privacy policy)

CANCEL YOUR NEWSLETTER SUBSCRIPTION.

(note: this will not cancel paid digital edition or advertising subscriptions.)

EMAIL:

20x200 and Stuart Klipper: Both Cool as Ice

Online for Everyone- | Jan 6 2013 | (22:48:58 - EDT)

Some photographers stay at home; they make beauty out of dusty ornaments and memories, crystallizing insular moments. But Stuart Klipper is no homebody. He’s an intrepid artist who has photographed panoramas from the North to the South Pole and all across America.

An explorer to the core, he has crossed Antarctica six times over two decades, pulled ever back to the cold continent by its otherworldliness. “Being present there approximates, in essence, being apart from the planet itself, being a part of the firmament,” Klipper has said of Antarctica.

Klipper captures the enigma of this austere realm in all his Antarctica images—he’s hung out with the penguins!—and today’s are as serene and potent as photography gets. Both Sunset, Amundsen Sea, Southern Ocean, Antarctica, 2000 and Grounded Iceberg, Arthur Harbor, Anvers Island, Antarctica cause a gasp, a somersault in the belly. The images are tactile, almost alive; they take flight.

Advertise with us

Klipper’s lens draws us close while sweeping across vast patches of a land that he says “has more in common with the alien surfaces of other planets and moons than it does with the surrounds it shares on its home orb.” Light is an essential feature of Klipper’s work: He uses his Linhof Technorama—a late-’70s wonder that takes film and therefore keeps Klipper among the party of old-school photographers—to “grab the world” and let it grab us.

“Photography is not about photography,” he has said. “It’s about the world.”

On the 20x200 website, Stuart Klipper says:

“My photography has addressed both the manifold qualities of the places in our world and the myriad ways we experience our placement in it. I’ve covered a lot of territory in my travels, but of all the places I have directly experienced, Antarctica stands foremost as the single—and signal—place towards which my soul has been most insistently driven. When there, smack in its midst, I am where (to paraphrase my friend Barry Lopez) my soul feels most “right.”

Those of us who feel the pull of the Poles are fired by fierce and inexplicable passions. For my part, it has been when I’m on the Ice that I know I have felt the loom of epiphany; that I’ve gained my most intense awareness of the numinous. Here, above all else, clarity and transcendence prevail. On this harsh, austere and primordial continent, the compass of my embrace becomes its broadest. Here, in this uttermost place, awash in its wonder, I have, unfathomably, found a subsuming sense of grace. The work I do there takes on the cast of a mission, a mission suffused with ardor and awe.

By my lights, all of that which can be experienced in the Antarctic can be infused with an innate, primal and subsuming metaphysical presence—to its very core it bears a charge of the sacral. It is an otherworldly place, the edge of the Earth—its farthest horizon. Being present there approximates, in essence, being apart from the planet itself, being a part of the firmament.

Aside from our Earth’s oxygen, Antarctica holds more in common with the alien surfaces of other planets and moons than it does with the surrounds it shares on its home orb. It is a daunting, distinct and distant realm that hovers nebulously at the far asymptote of all human ken; a sublime and uncertain, ethereal and empyrean world—a world unto its own, a world fraught with awe and immanence. It harbors glories known nowhere else. Its beauty is inchoate and elusive; its truth is elemental and ever enigmatic.”

About 20x200:

(limited editions × low prices) + the internet = art for everyone

That simple formula, devised by 20x200's founder, Jen Bekman, is what launched 20x200 back in 2007. With that, they set their sights on two core goals: They want everyone to collect art, and they want to enable an economy that allows more artists to make a living by making work. More so, they wanted something as awesome as collecting art to be fun. That's right: fun!

All of the art, prints and photographs in their curated collection are carefully produced: Every work is accompanied by an artist-signed and numbered certificate that ensures the one you own is part of an exclusive edition created with the artist. Once they're sold out, they're gone for good-so if you see something you like, snap it up.

So far, they've released more than 900 editions by over 300 artists-emerging, established and legendary-and are always looking forward to introducing you to even more new art. Be the first to see new art a few times a week by signing up for the 20x200 Newsletter and get ridiculous daily deals by signing up for the 16-Hour Steal.

Source: 20x200

Share it:

Reactions

Leave a Reply

Archive:
Links:
  • Google search the internet giant
  • Wahooart museum Most famous Paintings of all time. Wahooart museum offers hand painted fine art reproductions.
Advertise with us
Advertisement- (place your ad here)
Valid CSS! Valid HTML 5.0 (experimental) Valid CSS!
Copyright © EYES IN™ Corp 2012. All Rights Reserved. | Contact us | Privacy Policy | Terms of use
Website by Redfish Creative